On Strike and on Film: Black Leadership, Politics, And Culture In The Twentieth Century
(eBook)
Description
In 1950, Mexican American miners went on strike for fair working conditions in Hanover, New Mexico. When an injunction prohibited miners from picketing, their wives took over the picket lines--an unprecedented act that disrupted mining families but ultimately ensured the strikers' victory in 1952. In On Strike and on Film, Ellen Baker examines the building of a leftist union that linked class justice to ethnic equality. She shows how women's participation in union activities paved the way for their taking over the picket lines and thereby forcing their husbands, and the union, to face troubling questions about gender equality.Baker also explores the collaboration between mining families and blacklisted Hollywood filmmakers that resulted in the controversial 1954 film Salt of the Earth. She shows how this worker-artist alliance gave the mining families a unique chance to clarify the meanings of the strike in their own lives and allowed the filmmakers to create a progressive alternative to Hollywood productions. An inspiring story of working-class solidarity, Mexican American dignity, and women's liberation, Salt of the Earth was itself blacklisted by powerful anticommunists, yet the movie has endured as a vital contribution to American cinema.
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Baker, E. R. (2012). On Strike and on Film: Black Leadership, Politics, And Culture In The Twentieth Century. The University of North Carolina Press.
Chicago / Turabian - Author Date Citation (style guide)Baker, Ellen R.. 2012. On Strike and On Film: Black Leadership, Politics, And Culture In The Twentieth Century. The University of North Carolina Press.
Chicago / Turabian - Humanities Citation (style guide)Baker, Ellen R., On Strike and On Film: Black Leadership, Politics, And Culture In The Twentieth Century. The University of North Carolina Press, 2012.
MLA Citation (style guide)Baker, Ellen R.. On Strike and On Film: Black Leadership, Politics, And Culture In The Twentieth Century. The University of North Carolina Press, 2012.
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Hoopla Extract Information
hooplaId | 11718797 |
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title | On Strike and on Film |
language | |
kind | EBOOK |
series | |
season | |
publisher | |
price | 2.69 |
active | 1 |
pa | |
profanity | |
children | |
demo | |
duration | |
rating | |
abridged | |
fiction | |
purchaseModel | INSTANT |
dateLastUpdated | Jan 18, 2024 06:11:41 PM |
Record Information
Last File Modification Time | Sep 03, 2025 02:28:01 AM |
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Last Grouped Work Modification Time | Sep 03, 2025 01:26:10 AM |
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520 | |a In 1950, Mexican American miners went on strike for fair working conditions in Hanover, New Mexico. When an injunction prohibited miners from picketing, their wives took over the picket lines--an unprecedented act that disrupted mining families but ultimately ensured the strikers' victory in 1952. In On Strike and on Film, Ellen Baker examines the building of a leftist union that linked class justice to ethnic equality. She shows how women's participation in union activities paved the way for their taking over the picket lines and thereby forcing their husbands, and the union, to face troubling questions about gender equality.Baker also explores the collaboration between mining families and blacklisted Hollywood filmmakers that resulted in the controversial 1954 film Salt of the Earth. She shows how this worker-artist alliance gave the mining families a unique chance to clarify the meanings of the strike in their own lives and allowed the filmmakers to create a progressive alternative to Hollywood productions. An inspiring story of working-class solidarity, Mexican American dignity, and women's liberation, Salt of the Earth was itself blacklisted by powerful anticommunists, yet the movie has endured as a vital contribution to American cinema. | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Electronic books. | |
650 | 0 | |a Hispanic Americans. | |
650 | 0 | |a History. | |
650 | 0 | |a Minorities |x Study and teaching. | |
650 | 0 | |a Social sciences. | |
650 | 0 | |a Twentieth century. | |
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