African Cinema: Manifesto and Practice for Cultural Decolonization: Colonial Antecedents, Constituents, Theory, and Articulations
(eBook)
Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.
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Citations
Martin, M. T., Armes, R., Genova, J. E., & Kaboré, G. J. (2023). African Cinema: Manifesto and Practice for Cultural Decolonization: Colonial Antecedents, Constituents, Theory, and Articulations. Indiana University Press.
Chicago / Turabian - Author Date Citation (style guide)Michael T., Martin et al.. 2023. African Cinema: Manifesto and Practice for Cultural Decolonization: Colonial Antecedents, Constituents, Theory, and Articulations. Indiana University Press.
Chicago / Turabian - Humanities Citation (style guide)Michael T., Martin et al., African Cinema: Manifesto and Practice for Cultural Decolonization: Colonial Antecedents, Constituents, Theory, and Articulations. Indiana University Press, 2023.
MLA Citation (style guide)Martin, Michael T.,, et al. African Cinema: Manifesto and Practice for Cultural Decolonization: Colonial Antecedents, Constituents, Theory, and Articulations. Indiana University Press, 2023.
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Hoopla Extract Information
| hooplaId | 16201162 |
|---|---|
| title | African Cinema: Manifesto and Practice for Cultural Decolonization |
| language | ENGLISH |
| kind | EBOOK |
| series | Studies in the Cinema of the Black Diaspora |
| season | |
| publisher | Indiana University Press |
| price | 3.69 |
| active | 1 |
| pa | |
| profanity | |
| children | |
| demo | |
| duration | |
| rating | |
| abridged | |
| fiction | |
| purchaseModel | INSTANT |
| dateLastUpdated | Jan 03, 2025 06:18:04 PM |
Record Information
| Last File Modification Time | Sep 03, 2025 02:49:58 AM |
|---|---|
| Last Grouped Work Modification Time | Sep 03, 2025 01:26:10 AM |
MARC Record
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| 245 | 1 | 0 | |a African Cinema: Manifesto and Practice for Cultural Decolonization : |b Colonial Antecedents, Constituents, Theory, and Articulations |h [electronic resource] / |c Michael T. Martin, Roy Armes, James E. Genova and Gaston Jean-marie Kaboré. |
| 264 | 1 | |a [United States] : |b Indiana University Press, |c 2023. | |
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| 490 | 0 | |a Studies in the Cinema of the Black Diaspora ; | |
| 506 | |a Instant title available through hoopla. | ||
| 520 | |a Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 650 | 0 | |a Africans. | |
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| 650 | 0 | |a Electronic books. | |
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| 650 | 0 | |a Performing arts. | |
| 650 | 0 | |a Video recordings. | |
| 700 | 1 | |a Armes, Roy, |e author. | |
| 700 | 1 | |a Genova, James E., |e author. | |
| 700 | 1 | |a Kaboré, Gaston Jean-Marie, |e author. | |
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