The depositions: new and selected essays on being and ceasing to be
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Uniform Title:
Contributors:
Ball, Alan, 1957- writer of foreword.
Published:
New York : W. W. Norton & Company, [2020].
Format:
Book
Edition:
First edition.
Physical Desc:
ix, 342 pages ; 25 cm
Status:

Description

"A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small- town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life's work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch's signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collections, as well as new essays in which the space between Lynch's hyphenated identities-as an Irish American, undertaker-poet-is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. Meanwhile, the press of the author's own mortality sharpens a curiosity about where we come from, where we go, and what it means. In The Depositions, Lynch continues to illuminate not only how we die, but also how we live"--

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Language:
Unknown
ISBN:
9781324003977, 1324003979

Notes

Description
"A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small- town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life's work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch's signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collections, as well as new essays in which the space between Lynch's hyphenated identities-as an Irish American, undertaker-poet-is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. Meanwhile, the press of the author's own mortality sharpens a curiosity about where we come from, where we go, and what it means. In The Depositions, Lynch continues to illuminate not only how we die, but also how we live"--,Provided by publisher.

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Citations

APA Citation (style guide)

Lynch, T., & Ball, A. (2020). The depositions: new and selected essays on being and ceasing to be. First edition. W. W. Norton & Company.

Chicago / Turabian - Author Date Citation (style guide)

Lynch, Thomas, 1948- and Alan Ball. 2020. The Depositions: New and Selected Essays On Being and Ceasing to Be. W. W. Norton & Company.

Chicago / Turabian - Humanities Citation (style guide)

Lynch, Thomas, 1948- and Alan Ball, The Depositions: New and Selected Essays On Being and Ceasing to Be. W. W. Norton & Company, 2020.

MLA Citation (style guide)

Lynch, Thomas and Alan Ball. The Depositions: New and Selected Essays On Being and Ceasing to Be. First edition. W. W. Norton & Company, 2020.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
51e84d51-0ebc-d453-722f-3af3c5383dc1
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Record Information

Last Sierra Extract TimeMay 21, 2025 06:03:42 PM
Last File Modification TimeMay 21, 2025 06:03:57 PM
Last Grouped Work Modification TimeMay 21, 2025 06:03:46 PM

MARC Record

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520 |a "A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small- town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life's work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch's signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collections, as well as new essays in which the space between Lynch's hyphenated identities-as an Irish American, undertaker-poet-is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. Meanwhile, the press of the author's own mortality sharpens a curiosity about where we come from, where we go, and what it means. In The Depositions, Lynch continues to illuminate not only how we die, but also how we live"-- |c Provided by publisher.
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