American noir film: from the Maltese Falcon to Gone Girl
(Book)
Description
"American Noir Film explores how the popular genre and its tropes evolved from the early classics to neo-noir and beyond while maintaining the distinct features audiences love. Movies discussed range from Double Indemnity and Sunset Boulevard to Chinatown and Devil in a Blue Dress and recent films Under the Silver Lake and Promising Young Woman"--
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Booker, M. K. (2025). American noir film: from the Maltese Falcon to Gone Girl. Rowman & Littlefield Publishers.
Chicago / Turabian - Author Date Citation (style guide)Booker, M. Keith. 2025. American Noir Film: From the Maltese Falcon to Gone Girl. Rowman & Littlefield Publishers.
Chicago / Turabian - Humanities Citation (style guide)Booker, M. Keith, American Noir Film: From the Maltese Falcon to Gone Girl. Rowman & Littlefield Publishers, 2025.
MLA Citation (style guide)Booker, M. Keith. American Noir Film: From the Maltese Falcon to Gone Girl. Rowman & Littlefield Publishers, 2025.
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Record Information
Last Sierra Extract Time | Jul 07, 2025 10:39:12 AM |
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Last File Modification Time | Jul 07, 2025 10:46:16 AM |
Last Grouped Work Modification Time | Jul 07, 2025 10:39:22 AM |
MARC Record
LEADER | 03957cam a2200361 i 4500 | ||
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003 | OCoLC | ||
005 | 20250225034308.0 | ||
008 | 240521s2025 mdua b 001 0 eng | ||
020 | |a 9781538194096 |q hardcover | ||
020 | |a 1538194090 |q hardcover | ||
035 | |a (OCoLC)1430498235 | ||
040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d IG# |d OPW |d OCLCO |d JCX |d YDX |d DYJ |d CANPU |d OCLCO |d IAK |d BKL | ||
042 | |a pcc | ||
043 | |a n-us--- | ||
049 | |a LEOA | ||
100 | 1 | |a Booker, M. Keith, |e author. |0 http://id.loc.gov/authorities/names/n91036383 |1 https://id.oclc.org/worldcat/entity/E39PBJxxb4YQxDCyyYJPbHb8G3 | |
245 | 1 | 0 | |a American noir film : |b from the Maltese Falcon to Gone Girl / |c M. Keith Booker. |
264 | 1 | |a Lanham, Maryland : |b Rowman & Littlefield Publishers, |c 2025. | |
300 | |a vi, 217 pages : |b illustrations ; |c 24 cm | ||
336 | |a text |b txt |2 rdacontent | ||
336 | |a still image |b sti |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction noir film -- Part I. The noir detective film : introduction to noir detective films. 1. The film noir detective : The Maltese Falcon (1941, directed by John Huston) ; 2. The film noir detective : Murder, My Sweet (1944, directed by Edward Dmytryk) ; 3. The neo-noir detective : Chinatown (1974, directed by Roman Polanski) ; 4. The neo-noir detective : Blue Velvet (1986, directed by David Lynch) ; 5. The revisionary noir detective : Devil in a Blue Dress (1995, directed by Carl Franklin) ; 6. The revisionary noir detective : Inherent Vice (2014, directed by Paul Thomas Anderson) ; 7. The revisionary noir detective : Under the Silver Lake (2018, directed by David Robert Mitchell) -- Part II. The noir film lost man : introduction: the noir film lost man. 8. The film noir lost man Detour (1945, directed by Edgar Ulmer) ; 9. The film noir lost man : Out of the Past (1947, directed by Jacques Tourneur) ; 10. The neo-noir lost man : After Dark, My Sweet (1990, directed by James Foley) ; 11. The neo-noir lost man : The Man Who Wasn't There (2001, directed by Joel and Ethan Coen) ; 12. The revisionary noir lost man : The Killer Inside Me (2010, directed by Michael Winterbottom) ; 13. The revisionary noir lost man : You Were Never Really Here (2017, directed by Lynne Ramsay) ; 14. The revisionary noir lost man : Uncut Gems (2019, directed by Josh and Benny Safdie) -- Part III. Woman in noir film. 15. Women in film noir: Double Indemnity (1944, directed by Billy Wilder) ; 16. Women in film noir : Sunset Boulevard (1950, directed by Billy Wilder) ; 17. Women in neo-noir : Body Heat (1981, directed by Lawrence Kasdan) ; 18. Women in neo-noir : The Last Seduction (1994, directed by James Foley) ; 19. Women in revisionary noir : Basic Instinct (1992, directed by Paul Verhoeven) ; 20. Women in revisionary noir : Gone Girl (2014, directed by David Fincher) ; 21. Women in revisionary noir : Promising Young Woman (2020, directed by Emerald Fennell) -- Conclusion. | |
520 | |a "American Noir Film explores how the popular genre and its tropes evolved from the early classics to neo-noir and beyond while maintaining the distinct features audiences love. Movies discussed range from Double Indemnity and Sunset Boulevard to Chinatown and Devil in a Blue Dress and recent films Under the Silver Lake and Promising Young Woman"-- |c Provided by publisher. | ||
650 | 0 | |a Film noir |z United States |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008103720 | |
655 | 7 | |a Film criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2021026007 | |
776 | 0 | 8 | |i Online version: |a Booker, M. Keith. |t American noir film |d Lanham : Rowman & Littlefield Publishers, 2024 |z 9781538194102 |w (DLC) 2024019712 |
907 | |a .b27886244 | ||
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994 | |a C0 |b LEO | ||
998 | |e - |d a |f eng |a ly |