Bruno Schulz: an artist, a murder, and the hijacking of history

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A biography of the Polish-Jewish writer and artist includes an account of the discovery of his last artworks--murals painted on the walls of a villa occuppied by a Nazi officer--sixty years after his death and the complicated political dispute over the ownership of the murals.
"A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him "one of the most remarkable writers who ever lived." Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz's art became the currency in which he bought life. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa--the last traces of his vanished world--into multiple dimensions of the artist's life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist's milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities." --

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ISBN:
9780393866575
9798350808612

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Grouping Information

Grouped Work IDecdd0b3e-e26e-a979-de3c-55b2fb8023d5
Grouping Titlebruno schulz an artist a murder and the hijacking of history
Grouping Authorbenjamin balint
Grouping Categorybook
Grouping LanguageEnglish (eng)
Last Grouping Update2025-07-02 22:23:43PM
Last Indexed2025-07-08 23:09:46PM

Solr Fields

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auth_author2
Renell, Jamie
author
Balint, Benjamin, 1976-
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Renell, Jamie,reader
hoopla digital
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Balint, Benjamin
display_description
A biography of the Polish-Jewish writer and artist includes an account of the discovery of his last artworks--murals painted on the walls of a villa occuppied by a Nazi officer--sixty years after his death and the complicated political dispute over the ownership of the murals. "A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him "one of the most remarkable writers who ever lived." Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz's art became the currency in which he bought life. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa--the last traces of his vanished world--into multiple dimensions of the artist's life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist's milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities." --
format_category_eh
Audio Books
Books
eBook
format_eh
Book
eAudiobook
id
ecdd0b3e-e26e-a979-de3c-55b2fb8023d5
isbn
9780393866575
9798350808612
itype_eh
ADULT BOOK
last_indexed
2025-07-09T05:09:46.459Z
lexile_score
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literary_form
Non Fiction
literary_form_full
Non Fiction
primary_isbn
9780393866575
publishDate
2023
publisher
Tantor Media, Inc
W.W. Norton & Company
recordtype
grouped_work
subject_facet
Artists -- Galicia (Poland and Ukraine) -- Biography
Authors, Polish -- 20th century -- Biography
Biographies
Schulz, Bruno, -- 1892-1942
title_display
Bruno Schulz : an artist, a murder, and the hijacking of history
title_full
Bruno Schulz : An Artist, a Murder, and the Hijacking of History [electronic resource] / Benjamin Balint
Bruno Schulz : an artist, a murder, and the hijacking of history / Benjamin Balint
title_short
Bruno Schulz
title_sub
an artist, a murder, and the hijacking of history
topic_facet
Artists
Authors, Polish
Schulz, Bruno

Solr Details Tables

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record_details

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hoopla:MWT15771932eAudiobookAudio BooksUnabridgedEnglishTantor Media, Inc20231 online resource (1 audio file (7hr., 38 min.)) : digital.
ils:.b2734891xBookBooksEnglishW.W. Norton & Company©2023307 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm

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