Bruno Schulz: an artist, a murder, and the hijacking of history
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Published:
New York : W.W. Norton & Company, ©2023.
Format:
Book
Physical Desc:
307 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm
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Description

A biography of the Polish-Jewish writer and artist includes an account of the discovery of his last artworks--murals painted on the walls of a villa occuppied by a Nazi officer--sixty years after his death and the complicated political dispute over the ownership of the murals.

"A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him "one of the most remarkable writers who ever lived." Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz's art became the currency in which he bought life. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa--the last traces of his vanished world--into multiple dimensions of the artist's life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist's milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities." --

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Meriden Holocaust Collection
BIO SCHULTZ, B
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North Haven Adult Biography
Biography Schulz, Bruno
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Language:
English
ISBN:
9780393866575, 0393866572

Notes

Bibliography
Includes bibliographical references and index.
Description
A biography of the Polish-Jewish writer and artist includes an account of the discovery of his last artworks--murals painted on the walls of a villa occuppied by a Nazi officer--sixty years after his death and the complicated political dispute over the ownership of the murals.
Description
"A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him "one of the most remarkable writers who ever lived." Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz's art became the currency in which he bought life. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa--the last traces of his vanished world--into multiple dimensions of the artist's life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist's milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities." --,Provided by publisher.

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Citations

APA Citation (style guide)

Balint, B. (2023). Bruno Schulz: an artist, a murder, and the hijacking of history. W.W. Norton & Company.

Chicago / Turabian - Author Date Citation (style guide)

Balint, Benjamin, 1976-. 2023. Bruno Schulz: An Artist, a Murder, and the Hijacking of History. W.W. Norton & Company.

Chicago / Turabian - Humanities Citation (style guide)

Balint, Benjamin, 1976-, Bruno Schulz: An Artist, a Murder, and the Hijacking of History. W.W. Norton & Company, 2023.

MLA Citation (style guide)

Balint, Benjamin. Bruno Schulz: An Artist, a Murder, and the Hijacking of History. W.W. Norton & Company, 2023.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
ecdd0b3e-e26e-a979-de3c-55b2fb8023d5
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Last Sierra Extract TimeJun 26, 2025 06:32:55 PM
Last File Modification TimeJun 26, 2025 06:33:22 PM
Last Grouped Work Modification TimeJul 02, 2025 10:23:43 PM

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