The Muralist
(eAudiobook)

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Published:
[United States] : HighBridge, 2015.
Format:
eAudiobook
Edition:
Unabridged.
Content Description:
1 online resource (1 audio file (9hr., 15 min.)) : digital.
Lexile measure:
830L
Status:

Description

Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil. No one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie's auction house uncovers enigmatic paintings hidden behind recently found works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of today's New York art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. B.A. Shapiro is a master at telling a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil?

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Language:
Unknown
ISBN:
9781622318766, 1622318765
Accelerated Reader:
UG
Level 5.9, 15 Points
Lexile measure:
830

Notes

Restrictions on Access
Instant title available through hoopla.
Participants/Performers
Read by Xe Sands.
Description
Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil. No one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie's auction house uncovers enigmatic paintings hidden behind recently found works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of today's New York art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. B.A. Shapiro is a master at telling a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil?
System Details
Mode of access: World Wide Web.

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Citations

APA Citation (style guide)

Shapiro, B. A., & Sands, X. (2015). The Muralist. Unabridged. HighBridge.

Chicago / Turabian - Author Date Citation (style guide)

Shapiro, B. A. and Xe, Sands. 2015. The Muralist. HighBridge.

Chicago / Turabian - Humanities Citation (style guide)

Shapiro, B. A. and Xe, Sands, The Muralist. HighBridge, 2015.

MLA Citation (style guide)

Shapiro, B. A., and Xe Sands. The Muralist. Unabridged. HighBridge, 2015.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Staff View

Grouped Work ID:
dc192464-b26a-0c5a-d268-1bb93909c15e
Go To Grouped Work

Hoopla Extract Information

hooplaId11467207
titleThe Muralist
languageENGLISH
kindAUDIOBOOK
series
season
publisherHighbridge Company
price2.89
active1
pa
profanity
children
demo
duration9h 15m 0s
rating
abridged
fiction1
purchaseModelINSTANT
dateLastUpdatedMar 30, 2025 06:12:14 PM

Record Information

Last File Modification TimeApr 02, 2025 10:27:43 PM
Last Grouped Work Modification TimeApr 27, 2025 10:50:21 PM

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520 |a Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil. No one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie's auction house uncovers enigmatic paintings hidden behind recently found works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of today's New York art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. B.A. Shapiro is a master at telling a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil?
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