Max's Chocolate Chicken
(eAudiobook)
Description
Max and Ruby... Ruby and Max! All Max wants to do is eat the chocolate chicken that someone left in the birdbath one fine spring morning. But "wait, Max," his sister Ruby says, "First we go on an egg hunt." Max does his best to play along, but when Ruby finds all the eggs-and he finds only ants and acorns-he shows her what can happen when you put all your eggs in one basket! As far back as I can remember, I did nothing but draw. I discovered very early that making a picture of anything meant people saying, "Look at that!" How else could I get that kind of attention? After high school, I went to the Museum School in Boston. At nineteen, I left school, married Tom Wells, and began a career as a book designer. Two years later, when my husband applied to the Columbia School of Architecture, we moved to New York City. I found a job as a designer at Macmillan, where I published my first book, Sing a Song, O! My home life has inspired many of my books. Our West Highland white terrier, Angus, had the shape and expressions to become Benjamin, Tulip, Timothy, and all the other animals I have made up for my stories. He also appears as himself in a couple of books. My two daughters have been constant inspirations, especially for my Max books. Simple incidents from childhood are universal. The dynamics between older and younger siblings are common to all families. I am also an accomplished eavesdropper in restaurants, trains, and gatherings of any kind. Writing for children is as difficult as writing serious verse. Writing for children is as mysterious as writing fine music. It is as personal as singing. Once the story is there, the drawings just appear. I feel the emotion I want to show; then I let it run down my arm from my face, and it goes out the pencil. My drawings look as if they are done quickly. They are not. First they are sketched in light pencil, then nearly rubbed out, then drawn again in heavier pencil. What appears to be a thick ink line is really a series of layers of tiny ink lines. When I finish these lines, the drawing is ready for color. I have been writing and illustrating for almost 30 years. It has been a pure delight. There are hard parts, but no bad or boring parts - that is more than can be said for any other line of work that I know. Learn more at www.rosemarywells.com.
More Details
Level 1.9, 0.5 Points
Notes
Reviews from GoodReads
Citations
Wells, R., & Roberts, L. (1991). Max's Chocolate Chicken. Unabridged. [United States], Scholastic Inc.
Chicago / Turabian - Author Date Citation (style guide)Wells, Rosemary and Louise, Roberts. 1991. Max's Chocolate Chicken. [United States], Scholastic Inc.
Chicago / Turabian - Humanities Citation (style guide)Wells, Rosemary and Louise, Roberts, Max's Chocolate Chicken. [United States], Scholastic Inc, 1991.
MLA Citation (style guide)Wells, Rosemary, and Louise Roberts. Max's Chocolate Chicken. Unabridged. [United States], Scholastic Inc, 1991.
Staff View
Hoopla Extract Information
hooplaId | 17237335 |
---|---|
title | Max's Chocolate Chicken |
language | ENGLISH |
kind | AUDIOBOOK |
series | |
season | |
publisher | Scholastic Inc. |
price | 0.55 |
active | 1 |
pa | |
profanity | |
children | 1 |
demo | |
duration | 9m 22s |
rating | |
abridged | |
fiction | 1 |
purchaseModel | INSTANT |
dateLastUpdated | Sep 04, 2024 06:31:25 PM |
Record Information
Last File Modification Time | Dec 02, 2024 10:45:01 PM |
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Last Grouped Work Modification Time | Dec 21, 2024 09:53:47 AM |
MARC Record
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099 | |a eAudiobook hoopla | ||
100 | 1 | |a Wells, Rosemary, |e author. | |
245 | 1 | 0 | |a Max's Chocolate Chicken |h [electronic resource] / |c Rosemary Wells. |
250 | |a Unabridged. | ||
264 | 1 | |a [United States] : |b Scholastic Inc., |c 1991. | |
264 | 2 | |b Made available through hoopla | |
300 | |a 1 online resource (1 audio file (9 min.)) : |b digital. | ||
336 | |a spoken word |b spw |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
344 | |a digital |h digital recording |2 rda | ||
347 | |a data file |2 rda | ||
506 | |a Instant title available through hoopla. | ||
511 | 1 | |a Read by Louise Roberts. | |
520 | |a Max and Ruby... Ruby and Max! All Max wants to do is eat the chocolate chicken that someone left in the birdbath one fine spring morning. But "wait, Max," his sister Ruby says, "First we go on an egg hunt." Max does his best to play along, but when Ruby finds all the eggs-and he finds only ants and acorns-he shows her what can happen when you put all your eggs in one basket! As far back as I can remember, I did nothing but draw. I discovered very early that making a picture of anything meant people saying, "Look at that!" How else could I get that kind of attention? After high school, I went to the Museum School in Boston. At nineteen, I left school, married Tom Wells, and began a career as a book designer. Two years later, when my husband applied to the Columbia School of Architecture, we moved to New York City. I found a job as a designer at Macmillan, where I published my first book, Sing a Song, O! My home life has inspired many of my books. Our West Highland white terrier, Angus, had the shape and expressions to become Benjamin, Tulip, Timothy, and all the other animals I have made up for my stories. He also appears as himself in a couple of books. My two daughters have been constant inspirations, especially for my Max books. Simple incidents from childhood are universal. The dynamics between older and younger siblings are common to all families. I am also an accomplished eavesdropper in restaurants, trains, and gatherings of any kind. Writing for children is as difficult as writing serious verse. Writing for children is as mysterious as writing fine music. It is as personal as singing. Once the story is there, the drawings just appear. I feel the emotion I want to show; then I let it run down my arm from my face, and it goes out the pencil. My drawings look as if they are done quickly. They are not. First they are sketched in light pencil, then nearly rubbed out, then drawn again in heavier pencil. What appears to be a thick ink line is really a series of layers of tiny ink lines. When I finish these lines, the drawing is ready for color. I have been writing and illustrating for almost 30 years. It has been a pure delight. There are hard parts, but no bad or boring parts - that is more than can be said for any other line of work that I know. Learn more at www.rosemarywells.com. | ||
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Animals |v Fiction. | |
650 | 0 | |a Easter |v Fiction. | |
650 | 0 | |a Holidays |v Fiction. | |
650 | 0 | |a Rabbits |v Fiction. | |
655 | 7 | |a Children's audiobooks. |2 lcgft | |
655 | 7 | |a Fiction. |2 lcgft | |
700 | 1 | |a Roberts, Louise, |e reader. | |
710 | 2 | |a hoopla digital. | |
856 | 4 | 0 | |u https://www.hoopladigital.com/title/17237335?utm_source=MARC&Lid=hh4435 |z Instantly available on hoopla. |
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