Paris in Ruins: Love, War, and the Birth of Impressionism
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Published:
Tantor Media, Inc 2024
Format:
OverDrive Listen
Edition:
Unabridged
Status:
Checked Out

Description

From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans—then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris.
In stirring and exceptionally vivid prose, Sebastian Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience—reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things—became the movement's great contribution to the history of art.
Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.

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Street Date:
09/10/2024
Language:
English
ISBN:
9798855578034

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Citations

APA Citation (style guide)

Sebastian Smee. (2024). Paris in Ruins: Love, War, and the Birth of Impressionism. Unabridged Tantor Media, Inc.

Chicago / Turabian - Author Date Citation (style guide)

Sebastian Smee. 2024. Paris in Ruins: Love, War, and the Birth of Impressionism. Tantor Media, Inc.

Chicago / Turabian - Humanities Citation (style guide)

Sebastian Smee, Paris in Ruins: Love, War, and the Birth of Impressionism. Tantor Media, Inc, 2024.

MLA Citation (style guide)

Sebastian Smee. Paris in Ruins: Love, War, and the Birth of Impressionism. Unabridged Tantor Media, Inc, 2024.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Copy Details

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Shared Digital Collection10
East Hampton Public Library00

There are 6 holds on this title.

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Date Added:
Jan 02, 2025 11:45:31
Date Updated:
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Last Metadata Check:
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Last Metadata Change:
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Last Availability Check:
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Last Availability Change:
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Last Grouped Work Modification Time:
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In stirring and exceptionally vivid prose, Sebastian Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience—reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things—became the movement's great contribution to the history of art.
Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.
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From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans—then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris.
In stirring and exceptionally vivid prose, Sebastian Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience—reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed...
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