The Return of the Native
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Published:
Random House Publishing Group 2008
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Description
This fine novel sets in opposition two of Thomas Hardy’s most unforgettable creations: his heroine, the sensuous, free-spirited Eustacia Vye, and the solemn, majestic stretch of upland in Dorsetshire he called Egdon Heath. The famous opening reveals the haunting power of that dark, forbidding moor where proud Eustacia fervently awaits a clandestine meeting with her lover, Damon Wildeve. But Eustacia’s dreams of escape are not to be realized—neither Wildeve nor the returning native Clym Yeobright can bring her salvation.
Injured by forces beyond their control, Hardy’s characters struggle vainly in the net of destiny. In the end, only the face of the lonely heath remains untouched by fate in this masterpiece of tragic passion, a tale that perfectly epitomizes the author’s own unique and melancholy genius.
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More Details
Street Date:
08/26/2008
Language:
English
ISBN:
9780553905564
ASIN:
B001EL6R9M
Accelerated Reader:
UG
Level 10.2, 42 Points
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Citations
APA Citation (style guide)

Thomas Hardy. (2008). The Return of the Native. Random House Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

Thomas Hardy. 2008. The Return of the Native. Random House Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

Thomas Hardy, The Return of the Native. Random House Publishing Group, 2008.

MLA Citation (style guide)

Thomas Hardy. The Return of the Native. Random House Publishing Group, 2008.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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East Hampton Public Library00
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Grouped Work ID:
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Needs Update?:
No
Date Added:
Mar 01, 2018 14:19:17
Date Updated:
Mar 01, 2018 14:19:17
Last Metadata Check:
Apr 15, 2024 02:08:28
Last Metadata Change:
Jan 08, 2024 18:42:22
Last Availability Check:
Apr 15, 2024 02:08:43
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Last Grouped Work Modification Time:
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      • bioText: THOMAS HARDY, whose writings immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born near Egdon Heath in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During this time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874, Far from the Madding Crowd, published serially and anonymously in the Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1874, and in 1875 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he wrote The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895). With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1896 that he would never write fiction again. He published Wessex Poems in 1898, Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynasts, a huge drama in which Hardy’s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated. In 1912, Hardy’s wife, Emma, died. The marriage was childless and had long been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four, he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he lived happily until his death in 1928. His heart was buried in the Wessex countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.
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Injured by forces beyond their control, Hardy’s characters struggle vainly in the net of destiny. In the end, only the face of the lonely heath remains untouched by fate in this masterpiece of tragic passion, a tale that perfectly epitomizes the author’s own unique and melancholy genius.
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Injured by forces beyond their control, Hardy’s characters struggle vainly in the net of destiny. In the end, only the face of the lonely heath remains untouched by fate in this masterpiece of tragic passion, a tale that perfectly epitomizes the author’s own unique and melancholy genius.
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