Girl in Hyacinth Blue
(OverDrive MP3 Audiobook, OverDrive Listen)

Book Cover
Average Rating
Published:
HighBridge 2001
Format:
OverDrive MP3 Audiobook, OverDrive Listen
Edition:
Unabridged
Lexile measure:
950L
Status:
Available from OverDrive
Description
Picture this: "A most extraordinary painting in which a young girl wearing a short blue smock over a rust-colored skirt sat in profile at a table by an open window." Susan Vreeland imagined just such a humble domestic scene, suggested it was created in 17th-century Holland, and attributed it to Jan Vermeer. Then she wrote a beguiling novel about this canvas, which so closely resembles the 35 extant works of the Dutch master that it might as well be one of his—long, lost, finally found, and as exquisite as ever. The artistic journey Vreeland recounts begins in present-day Pennsylvania, where a schoolteacher claims he owns an authentic Vermeer, a legacy from his late father, who acquired it under heinous circumstances: a Nazi officer, the father had looted it from the home of Dutch Jews.Moving back in time and across the Atlantic, Vreeland traces the treasured painting from owner to owner. In doing so, she demonstrates the enduring power of art in the face of natural disaster, political upheaval, and personal turmoil. Ultimately, she ends the odyssey in Delft, where the painting's haunting subject is identified and tells her own poignant story about the picture's origins.Each of the eight linked chapters has an irresistible painterly quality—finely wrought, artfully illuminated, and subtly executed. Together, they constitute a literary masterpiece, one that the New York Times Book Review praised as "intelligent, searching, and unusual... filled with luminous moments; like the painting it describes so well."
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More Details
Street Date:
9/18/2001
Language:
English
ISBN:
9781598871098
Accelerated Reader:
UG
Level 6.2, 7 Points
Lexile measure:
950
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Citations
APA Citation (style guide)

Susan Vreeland. (2001). Girl in Hyacinth Blue. Unabridged HighBridge.

Chicago / Turabian - Author Date Citation (style guide)

Susan Vreeland. 2001. Girl in Hyacinth Blue. HighBridge.

Chicago / Turabian - Humanities Citation (style guide)

Susan Vreeland, Girl in Hyacinth Blue. HighBridge, 2001.

MLA Citation (style guide)

Susan Vreeland. Girl in Hyacinth Blue. Unabridged HighBridge, 2001.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Copy Details
LibraryOwnedAvailable
Shared Digital Collection11
East Hampton Public Library00
Staff View
Grouped Work ID:
6d94851f-59d2-d548-db55-e5bb804e8c12
Go To Grouped Work
Needs Update?:
No
Date Added:
Mar 01, 2018 14:15:30
Date Updated:
Mar 01, 2018 14:15:30
Last Metadata Check:
Apr 15, 2024 01:56:22
Last Metadata Change:
Jun 05, 2023 02:27:55
Last Availability Check:
Apr 15, 2024 01:56:34
Last Availability Change:
Jan 14, 2024 06:53:10
Last Grouped Work Modification Time:
Apr 18, 2024 22:20:04

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        SUSAN VREELAND Susan Vreeland grew up in California and taught high-school English in the San Diego school system for 30 years. She wrote a widely used student-writing handbook titled What English Teachers Want, as well as two previous novels. Her short fiction has appeard in several literary journals, and she received Inkwell Magazine's Grand Prize for Fiction in 1999. She lives in San Diego.

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Picture this: "A most extraordinary painting in which a young girl wearing a short blue smock over a rust-colored skirt sat in profile at a table by an open window." Susan Vreeland imagined just such a humble domestic scene, suggested it was created in 17th-century Holland, and attributed it to Jan Vermeer. Then she wrote a beguiling novel about this canvas, which so closely resembles the 35 extant works of the Dutch master that it might as well be one of his—long, lost, finally found, and as exquisite as ever. The artistic journey Vreeland recounts begins in present-day Pennsylvania, where a schoolteacher claims he owns an authentic Vermeer, a legacy from his late father, who acquired it under heinous circumstances: a Nazi officer, the father had looted it from the home of Dutch Jews.Moving back in time and across the Atlantic, Vreeland traces the treasured painting from owner to owner. In doing so, she demonstrates the enduring power of art in the face of natural disaster,...
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