Diego Rivera: a retrospective.
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Published:
New York : Founders Society, Detroit Institute of Arts, in association with W.W. Norton, 1998.
Format:
Book
Physical Desc:
372 pages : illustrations (some color) ; 29 cm
Status:

Description

A celebration of a renowned artist and political activist. In a career that spanned sixty years, Diego Rivera produced some of the most distinctive and socially powerful works in modern art. Rivera was, in a real sense, a twentieth-century renaissance man. He was a painter, printmaker, sculptor, book illustrator, one of the first collectors of pre-Columbian art, and a political activist. In both the United States and Mexico, Rivera's monumental frescos gave life to revolutionary themes, often offending critics as well as the public. In New York's Rockefeller Center, for instance, his murals were destroyed because of public outrage over their strongly pro-communist content. Throughout his mature works, on this continent and abroad, Rivera was a champion of the oppressed. This volume celebrates the 100th anniversary of the artist's birth. Its 200 color plates and 325 black-and-white photographs illustrate Rivera's life and work from his early years at the Mexican Academy of San Carlos and studies in Spain, his subsequent eleven-year sojourn in Paris and brief involvement with Cubism in the first part of this century, to his efforts to establish a truly Mexican style in the murals for which he is most famous. Accompanying Rivera's work are essays by noted scholars reevaluating his place in the history of modern art. This book was originally published to coincide with the first major North American retrospective ever mounted of the artist, at the Detroit Institute of the Arts, where Rivera's finest works in the United States-the Detroit Industry Frescos-remain as vivid today as when they were completed fifty years ago.

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Status
North Haven Adult Nonfiction
759.972 Rivera, Diego
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Language:
English
ISBN:
0393046095, 0393022757

Notes

General Note
Published to coincide with an exhibition held at the Detroit Institute of Arts, Feb. 10-Apr. 27, 1986, and at other museums.
Bibliography
Includes bibliography (pages 351-368) and index.
Description
A celebration of a renowned artist and political activist. In a career that spanned sixty years, Diego Rivera produced some of the most distinctive and socially powerful works in modern art. Rivera was, in a real sense, a twentieth-century renaissance man. He was a painter, printmaker, sculptor, book illustrator, one of the first collectors of pre-Columbian art, and a political activist. In both the United States and Mexico, Rivera's monumental frescos gave life to revolutionary themes, often offending critics as well as the public. In New York's Rockefeller Center, for instance, his murals were destroyed because of public outrage over their strongly pro-communist content. Throughout his mature works, on this continent and abroad, Rivera was a champion of the oppressed. This volume celebrates the 100th anniversary of the artist's birth. Its 200 color plates and 325 black-and-white photographs illustrate Rivera's life and work from his early years at the Mexican Academy of San Carlos and studies in Spain, his subsequent eleven-year sojourn in Paris and brief involvement with Cubism in the first part of this century, to his efforts to establish a truly Mexican style in the murals for which he is most famous. Accompanying Rivera's work are essays by noted scholars reevaluating his place in the history of modern art. This book was originally published to coincide with the first major North American retrospective ever mounted of the artist, at the Detroit Institute of the Arts, where Rivera's finest works in the United States-the Detroit Industry Frescos-remain as vivid today as when they were completed fifty years ago.

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Citations

APA Citation (style guide)

Rivera, D. (1998). Diego Rivera: a retrospective. New York, Founders Society, Detroit Institute of Arts, in association with W.W. Norton.

Chicago / Turabian - Author Date Citation (style guide)

Rivera, Diego, 1886-1957. 1998. Diego Rivera: A Retrospective. New York, Founders Society, Detroit Institute of Arts, in association with W.W. Norton.

Chicago / Turabian - Humanities Citation (style guide)

Rivera, Diego, 1886-1957, Diego Rivera: A Retrospective. New York, Founders Society, Detroit Institute of Arts, in association with W.W. Norton, 1998.

MLA Citation (style guide)

Rivera, Diego. Diego Rivera: A Retrospective. New York, Founders Society, Detroit Institute of Arts, in association with W.W. Norton, 1998.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
8478fd6a-7aec-2ba0-a430-2cb324b6a6c8
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Record Information

Last Sierra Extract TimeOct 04, 2024 03:01:59 AM
Last File Modification TimeOct 04, 2024 03:02:20 AM
Last Grouped Work Modification TimeOct 04, 2024 03:02:05 AM

MARC Record

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520 |a A celebration of a renowned artist and political activist. In a career that spanned sixty years, Diego Rivera produced some of the most distinctive and socially powerful works in modern art. Rivera was, in a real sense, a twentieth-century renaissance man. He was a painter, printmaker, sculptor, book illustrator, one of the first collectors of pre-Columbian art, and a political activist. In both the United States and Mexico, Rivera's monumental frescos gave life to revolutionary themes, often offending critics as well as the public. In New York's Rockefeller Center, for instance, his murals were destroyed because of public outrage over their strongly pro-communist content. Throughout his mature works, on this continent and abroad, Rivera was a champion of the oppressed. This volume celebrates the 100th anniversary of the artist's birth. Its 200 color plates and 325 black-and-white photographs illustrate Rivera's life and work from his early years at the Mexican Academy of San Carlos and studies in Spain, his subsequent eleven-year sojourn in Paris and brief involvement with Cubism in the first part of this century, to his efforts to establish a truly Mexican style in the murals for which he is most famous. Accompanying Rivera's work are essays by noted scholars reevaluating his place in the history of modern art. This book was originally published to coincide with the first major North American retrospective ever mounted of the artist, at the Detroit Institute of the Arts, where Rivera's finest works in the United States-the Detroit Industry Frescos-remain as vivid today as when they were completed fifty years ago.
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