The masterpiece: a novel
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Published:
New York, New York : Dutton, an imprint of Penguin Random House LLC, 2019.
Format:
Book
Edition:
Dutton trade paperback edition.
Physical Desc:
368 pages ; 21 cm
Status:

Description

"For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort"--

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Location
Call Number
Status
North Haven Adult Fiction
Fiction Davis, Fiona
On Shelf

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More Details

Language:
Unknown
ISBN:
9781524742973, 152474297X

Notes

General Note
Includes an excerpt from The Chelsea girls.
Description
"For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort"--,Provided by publisher.
Language
In English.

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Citations

APA Citation (style guide)

Davis, F. (2019). The masterpiece: a novel. Dutton trade paperback edition. Dutton, an imprint of Penguin Random House LLC.

Chicago / Turabian - Author Date Citation (style guide)

Davis, Fiona, 1966-. 2019. The Masterpiece: A Novel. Dutton, an imprint of Penguin Random House LLC.

Chicago / Turabian - Humanities Citation (style guide)

Davis, Fiona, 1966-, The Masterpiece: A Novel. Dutton, an imprint of Penguin Random House LLC, 2019.

MLA Citation (style guide)

Davis, Fiona. The Masterpiece: A Novel. Dutton trade paperback edition. Dutton, an imprint of Penguin Random House LLC, 2019.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

Staff View

Grouped Work ID:
273912ad-55a1-16dd-4f7d-b279eee0e40b
Go To Grouped Work

Record Information

Last Sierra Extract TimeApr 24, 2025 04:12:58 AM
Last File Modification TimeApr 24, 2025 04:13:05 AM
Last Grouped Work Modification TimeApr 28, 2025 02:15:15 AM

MARC Record

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250 |a Dutton trade paperback edition.
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520 |a "For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort"-- |c Provided by publisher.
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