Disney's land: Walt Disney and the invention of the amusement park that changed the world
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Published:
New York : Scribner, ©2020.
Format:
Book
Physical Desc:
xviii, 408 pages, 8 unnumbered leaves of plates : illustrations, map ; 24 cm
Status:

Description

"By the early 1950s Walt Disney's great achievements in animation were behind him, and he was increasingly bored by the two-dimensional film medium. He wanted to work in three, to build an entirely new sort of amusement park, one that relied more on cinematic techniques than on thrill rides, one from which all tawdriness had been purged. He achieved it, but just barely: he ran out of money, had to borrow against his life insurance, fell out with his studio, frightened his family, and endured much ridicule. What he built was far more influential than is generally understood-for one thing, Disneyland's Main Street sparked an architectural preservation movement that touched every American downtown-and remains controversial: many see it as a retreat from life itself. What is beyond argument is that Disneyland was something new, both in public entertainment, and in the way its "lands" managed to chime with how millions of Americans wanted to view their country-six hundred million Americans so far, and they just keep on coming. It reflects the park's uniqueness, but just as strongly that of the man who built it with a watchmaker's precision, an artist's conviction, and the desperate, high-hearted recklessness of a riverboat gambler"--

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Meriden Adult Non-Fiction
791.068 SN
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Language:
English
ISBN:
9781501190810, 1501190814

Notes

Bibliography
Includes bibliographical references (pages 379-385) and index.
Description
"By the early 1950s Walt Disney's great achievements in animation were behind him, and he was increasingly bored by the two-dimensional film medium. He wanted to work in three, to build an entirely new sort of amusement park, one that relied more on cinematic techniques than on thrill rides, one from which all tawdriness had been purged. He achieved it, but just barely: he ran out of money, had to borrow against his life insurance, fell out with his studio, frightened his family, and endured much ridicule. What he built was far more influential than is generally understood-for one thing, Disneyland's Main Street sparked an architectural preservation movement that touched every American downtown-and remains controversial: many see it as a retreat from life itself. What is beyond argument is that Disneyland was something new, both in public entertainment, and in the way its "lands" managed to chime with how millions of Americans wanted to view their country-six hundred million Americans so far, and they just keep on coming. It reflects the park's uniqueness, but just as strongly that of the man who built it with a watchmaker's precision, an artist's conviction, and the desperate, high-hearted recklessness of a riverboat gambler"--,Provided by publisher.

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Citations

APA Citation (style guide)

Snow, R. (2020). Disney's land: Walt Disney and the invention of the amusement park that changed the world. Scribner.

Chicago / Turabian - Author Date Citation (style guide)

Snow, Richard, 1947-. 2020. Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World. Scribner.

Chicago / Turabian - Humanities Citation (style guide)

Snow, Richard, 1947-, Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World. Scribner, 2020.

MLA Citation (style guide)

Snow, Richard. Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World. Scribner, 2020.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouped Work ID:
0480c579-8c22-49c6-604c-d8fda63e2995
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Record Information

Last Sierra Extract TimeJun 24, 2025 06:28:30 PM
Last File Modification TimeJun 24, 2025 06:28:38 PM
Last Grouped Work Modification TimeJun 26, 2025 08:40:11 PM

MARC Record

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504 |a Includes bibliographical references (pages 379-385) and index.
5050 |a Sunday, July 17, 1955, 4 a.m. -- How I got to Disneyland -- A horrible name for a mouse -- The Railroad Fair -- The Lilly Belle -- World's Fairs, Coney Island, and the decline of the amusement park -- Dwarf Land -- Getting started -- Buzz and Woody -- Orange County -- Buying on the sly -- Roy -- Like nothing else in the world -- The almost broadcasting company -- Selling the idea -- Imagineering -- The Admiral -- The instant jungle -- Arrow -- Harriet and the model shop -- Real trains -- King of the wild frontier -- The struggle for sponsors -- Van Arsdale France founds a school -- The Pony Farm -- Demands of the Jungle Cruise -- Milking the elephant -- Autopia -- The Moonliner -- Through the castle gate -- The perfectionist at work -- Ruth's role -- Union troubles -- "We're not going to make it" -- Tempus fugit -- Dateline: Disneyland -- Dateline behind the cameras: Black Sunday -- Damage control -- Something worthwhile -- Plussing -- The mountain and the monorail -- Disneyland '59 -- "Do you have rocket-launching pads there?" -- Suing God in heaven -- A perfect fascist regime -- The greatest piece of urban design -- The first goodbye -- Beautiful?
520 |a "By the early 1950s Walt Disney's great achievements in animation were behind him, and he was increasingly bored by the two-dimensional film medium. He wanted to work in three, to build an entirely new sort of amusement park, one that relied more on cinematic techniques than on thrill rides, one from which all tawdriness had been purged. He achieved it, but just barely: he ran out of money, had to borrow against his life insurance, fell out with his studio, frightened his family, and endured much ridicule. What he built was far more influential than is generally understood-for one thing, Disneyland's Main Street sparked an architectural preservation movement that touched every American downtown-and remains controversial: many see it as a retreat from life itself. What is beyond argument is that Disneyland was something new, both in public entertainment, and in the way its "lands" managed to chime with how millions of Americans wanted to view their country-six hundred million Americans so far, and they just keep on coming. It reflects the park's uniqueness, but just as strongly that of the man who built it with a watchmaker's precision, an artist's conviction, and the desperate, high-hearted recklessness of a riverboat gambler"-- |c Provided by publisher.
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6500 |a Architecture, American. |0 http://id.loc.gov/authorities/subjects/sh85006700
6510 |a Disneyland (Calif.) |x History.
77608 |i Online version: |a Snow, Richard, 1947- |t Disney's land |d New York : Scribner, 2019. |z 9781501190827 |w (DLC) 2019024841
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